Most modern models of the writing process are linear. They are commonly based on traditional rhetorical models, which was originally an oratory art, “based on the irreversibility of speech” (Sommers).
Revision is not possible in speech (hence its irreversibility). Thus, the art of revision is lost in modern writing pedagogies. In Nancy Sommers’ research in “Revision Strategies of Student Writers and Experienced Adult Writers”, Sommers defines revision as “a sequence of changes in a composition- changes which are initiated by cues and occur continually throughout the writing of a work.”
This definition highlights the ever-presence of revision during and forever-after the creation of a piece of writing. Sommers identifies 4 ‘Revision Operations’: deletion, substitution, addition, and reordering; as well as 4 ‘Levels of Changes’: word, phrase, sentence, and theme. Utilizing these identifiers in conjunction with a ‘Scale of Concerns’, Sommers identified how the revision process unfolded between multiple forms of writing and multiple drafts.
After digesting the material provided by the student writers, Sommers identified that students main concerns in the revision process included vocabulary and repetition, at least the concerns that the students themselves were able to identify. These results determined that the students were incapable of perceiving revision as a process, rather than a linear step.
Sommers says, “the incongruities between intention and execution, governs both writing and meaning.” I think this calls into question the degradation of the original intention in every step of revision. A part of me believes that the way your thought was captured the first time was beautiful in its own right, and that first version should be preserved.
Of course, I believe that there will always be a better way to phrase our thoughts, a smarter way to communicate our intentions, but the first draft will always be holy to me. It was hard to learn how to mark it up- take things out, move them around, massage my ideas into place.
That highlights to me that the learned process of revision is another way for the world to bleed into the formation of art- when it may have been more beautiful in its original form, simply for the fact that it was so uniquely formed and crafted by you. It hasn’t yet felt the marring touch of the rest of the world’s thoughts, or the way the rest of the world tells you to think.